মারমা নৃগোষ্ঠীর নাট্যমূলক গীতরঙ্গ জ্যা: স্বরূপ ও স্বাতন্ত্র্য | মো. এনামুল হাসান কাওছার

Although the Marma ethnic group is a minority in terms of population, it is diverse in its self-respecting traditional rituals, language, literature, religion, self-societal structure, and cultural glory. Various incidental rituals, rites, geographical locations, and life stories of the Marma community are artistic without the artificial intention of creating conscious art. Analyzing the current context, the crushing of the commodity civilization, the crisis of the existence of ethnic groups, the conversion from the original religion to the new, and the influence of Bengali supremacy, it is seen that the practice of this performance is gradually evolving from the traditional style in the course of change and losing its original form, flavor, taste, and personality. This research is to preserve this rich trend that is gradually disappearing and keep this creative cultural specificity of the Marma indigenous intact in its originality by freeing them from the imposed neglect.